Bad Theory and the Practice of College Composition

RV Young on changes in Freshman composition over the past 40 years.

HT Martin at Vital Remnants

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Two Kinds of Freedom

Human history and the human psyche reveal two conditions that we describe using the word freedom. They are, however, very different conditions.

The first is what I will call, borrowing the word from Kierkegaard, “aesthetic freedom.” This is the freedom of the adolescent and is characterized by the right to avoid making choices.

For example, the unmarried man is free to let his eyes and mind wander among the unattached females of the species, the uncommitted quasi-philosopher is free to wander among schools of thought, pretending to “not want to narrow himself to one position,” the undecided music critic is free to say, “I like all kinds of music.”

In each case, what the person is saying is that he is guided by his emotions or immediate needs, which, in turn are guided by his appetites. He is functioning slightly above the powers of an animal, but, in a way, not very far. Neither his will nor his reason have been decisively engaged.

To summarize, aesthetic freedom is the freedom of the adolescent and is characterized by the absence of willful decisions.

The second kind of freedom, and here again I borrow the word from Kierkegaard, is ethical freedom and is characterized the act of choosing.

Any time I make a choice, I am choosing more than just one of many options. For example, if I choose to go to a football game instead of a drinking party, I haven’t only chosen football over the party. I’ve also chosen a self that would go to a football game instead of the party.

In this sense, because we are created persons with a will, we are continually choosing ourselves in every decision we make.

These choices can lead to ethical slavery, in which our decisions bind us to the appetite we indulge, or ethical freedom, in which our decisions create of us a free person who governs himself and walks the path of wisdom.

Perhaps most significantly, each choice we make can be a choice for the finite or the infinite. The aesthete tries to maintain an infinite variety of choices and in so doing limits his choices to only the finite options.

The ethical person chooses limits and commitments, and in so doing he chooses the infinite, for concrete love is the infinite act of an eternal being. Love gives life to the faculty by which we can love, and that faculty is not earthly, worldly, selfish, cynical.

Indulgence destroys that faculty, thus destroying the soul of the self-indulgent.

Ethical freedom is the act of choosing oneself. Aesthetic freedom is the act of indulging oneself. The former leads to finite but real life. In the act of an infinite choice to love another one is connected to the infinite. The latter is the negation of the self by virtue of the disempowerment of the will and reason.